Icon Books : Alzheimer's Society : BBC : West Midlands History : Wellcome Trust : UK Sport : Channel 4
My ability to illustrate in a variety of different styles allows me to make work that answers clients needs such as black and white ink, vector, painted historical, water colour wash, cartoon, comic and may more. There are some styles that I have become well known for such as historical woodcut, medieaval manuscript, line work or painted. There are some styles that I have become well known for such as historical Woodcut, Medieaval Manuscript, line work or painted.
Medieval Woodcut Comic
Medieval Woodcut Comic
Medieval Woodcut Comic
Medieval Woodcut Comic
Medieval Woodcut Comic
Medieval Woodcut Comic
Medieval Woodcut Comic
Medieval Woodcut Comic
Client: icon books
The task for this project was to create 180 pages of medieval manuscript woodcut style illustrations with a contemporary feel. For this I used a blend of graphic novel & rich picture techniques integrated with historical reference material.  Enabling me to use my experience of historic art and contemporary comic story telling upon for the client. Working with writer Dr Eleanor Janega we were able to tell a story spanning the whole of the Middle Ages.
Client: West Midlands History
Working with the author and historian Cathy Shingler we made a Children's book that not only told the fascinating story of the largest Saxon Hoard ever found but of the people involved in its discovery. All the way from the metal detectorist to the various scientific experts. We also were able to convey a story about the most famous Mercian King Penda! This enabled me to use a comic style for the historical narrative and a water-colour saxonish style for the mythological story.
Client: BerGen university
This is a pioneering comic about insights and is the first Comic Ink Query proof of concept.
Client: The Wellcome Trust
This series was commissioned by Sophie Churchill's Corpse Project, funded by the Wellcome Trust. The aim was to convey research that problemitised what to do with the bodies of people once they have died. Each picture had to convey complex information. I was able to curate these various messages to reflect back in to the look of each art work. The final work was projected on to the walls of a galley space in a showcase finale.
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